A label for Mr Phil's Dutch Rudder. I did this quite a while ago now but have only just realised I haven't posted it here so, ta-dah! Dutch Rudder is much nicer than Wizard's Sleeve, FYI.
A poster for a book called The Paris of the North, by Christian Lloyd. I didn't design the cover, so I didn't have a massive amount of flexibility, so I just tried to work with the colour scheme I already had. It was published in the Copenhagen Post, which is nice. It's a good read as well, so go and buy it. I recommend reading it on the train on your way home from work, but not on the way there, just read the paper and listen to music on the way there. This is what I do.
This is a new mixtape I made. I actually made it in the hope that I could play it between bands when I put a gig on (which I was meant to be doing) but it fell through for one reason or another (the venue closed down). Anyway, if you've got a spare 80 mins and you want to find out how I mixed Shapes into James Blake (answer: excellently) then push the down arrow on the player and you'll be able to download it for free. It's the best mixtape I've made, I think, and I'm going to make them more often from now on.
As well as these things, I have been doing some serious work on my film. I've completely written the treatment for it to a standard that I'm pretty happy with, which means that after a meeting in the pub with some red pens which will probably end with me doing a final draft, I'll be getting to work on a script fairly soon. I will need many an extra. Volunteers should apply within. Must not be afraid of wearing heavy makeup, including fake blood.
Hello. Andy Vine here. That's me up there. Or at least I used to look like that, nowadays I'm like a Proper Grown Up with a flat and a dog and everything. I don't tend to have puppets sat on my shoulder any more, but I do have more facial hair and wear tighter trousers. I do still drink tea all the time. I'm an animator by trade, illustrator more by instinct and make a living from neither of those things. I'm not here to talk about how I make my living though.
I came up with this excellent idea the other week, right, that we should all do a blog post introducing ourselves to the Big Wide World by showing off our best pieces of work. A greatest hits set, if you will. Turns out this is quite the undertaking, but I'm man enough. Yeah.
1) Everything Ever
Everything Ever is a project I've been working on for most of the year and have only just finished. I plan to get it printed onto canvas and would like to exhibit it somewhere, but I don't really know how to go about organising that so if you do, spill the beans.
2) The Dog Ate My Homework
My final piece at uni. Two years in the making, believe it or not. Need to get my animating hat back on, it's been too long.
3) The Clock
This is the reason I can't listen to Thom Yorke's solo album any more! It was made for a competition run by D&Ad.
4) Hugtober
Poster for the October '09 tour by Dananananaykroyd. They like hugging, hence Hugtober. This won a prize, hooray! VIP passes to every gig on the tour (we only went to one though). Super ace band, go and see them if only to experience the Wall of Cuddles.
5) Venus Fly Traps
This is my first attempt at a watercolour, composited with a line drawing. Might do some more stuff like this.
6) Caber Tossing
Poster for Everything Everything's gig at the Night and Day cafe in Manchester for last year's In The City. Cracking band, but I didn't actually go to this; my mate Mark was putting on a gig in Centro on the same day and his band Air Cav are better, so ner.
7) Wizard's Sleeve
Mr Phil brews his own beer. Coming soon: Dutch Rudder. I'm drawing a boat.
8) Sadness
Bit of a collaboration between most of us Dead Pheasant types and graphic design king Richard di Blasi. We had a couple of jars then went and drew on Andy Pearse's back, then I spent a couple of days hard editing. Then the band re-recorded the song so they didn't use this in the end. Still got a soft spot for it though.
9) Mechanical Tyrannosaurus Rex
This is a t-shirt design for a band called Kidnapper Bell (who, incidentally, have a song called Everything Ever, the name of which inspired my project up there ^. I hadn't heard the song when I came up with the idea, I just LOVED the name). They sound like firing rockets at T-Rex robots (a bit).
10) Just So You Know
Competition entry, a single sleeve for Just So You Know by Tripwires. As it turns out though, the song isn't about spacemen, so they went for a design with some tasteful lines on and stuff.
So, there we have it. I'm currently working on a few bits and pieces. Just finished a drawing of a mantelpiece for, er, Mantelpiece Productions, currently drafting a new beer label for Mr Phil called Dutch Rudder, and writing a film about a heist that goes badly wrong in a way that no one could predict. Too many ideas in the pipeline, foremost trying to draw in 3-D, and I don't mean like perspective, I mean like green and red glasses.
Other than that, I've recently aquired a taste for making electronic music (all of which can be downloaded for free by clicking on these words) which has in turn inspired an idea for an animated short film, a weird experimental thing where things happen in time with beats and bleeps. I really want to do more animating, not just weird shit but also a more traditional stop motion film about a man whose life is ruled by his teddy bear, which ironically may prove more difficult to make due to not having any time or studio space. I don't want to talk about my day job because it's less than relevant, except to say that I work with some of the most talented and creative people in Manchester.
Wow, that should have been an easy thing to do but was in fact very difficult. Your turn now. I'm Andy Vine, who the hell are you?
